Showing posts with label emptiness. Show all posts
Showing posts with label emptiness. Show all posts

Saturday, October 08, 2011

The Upside of Emptiness

Usually, when we lose someone or something that has helped us defined much of our lives -- whether a lover or a belief, a job or a home, an ability or a skill -- we feel a sense of loss.

Sometimes, it's more than that.

Or rather, "less."

Sometimes rather than just feeling a void where previously there was a treasure, there is a sense of emptiness that reaches well beyond the contours and borders of the parts of life defined by what has been lost. That sense of emptiness affects all of our experience -- we discover through its sudden absence a now-missing sense of belonging and warmth, confidence and meaning. It seems that we see through new eyes, and they reveal everything to be artificial, a bit contrived. What used to be our sense of belonging and meaning, we now see as structures of a mind that we no longer occupy.

Sometimes there's just a hint of that seeing. But at other times, it's so strong that it's overwhelming.

But it's always disturbing.

* * *
The Heart Sutra, a core text of the Mahayana Buddhist scriptural canon, uses a four-part framing to express this experience:




Form does not differ from emptiness. Emptiness does not differ from form. Form itself is emptiness. Emptiness is itself form.



* * *

We often associate the sudden, jarring sense of emptiness -- the sense that things and experiences and life itself are hollow or lacking an essential stability and solidity -- as a sense of loss of something we value profoundly, even if we didn't know it until it was gone. But that isn't the only way that most of us have experienced emptiness. All who've lived to adulthood have experienced a time, a moment in our teens or twenties when we just as suddenly had the sensation of seeing the life of grade school -- all the competitions and dramas and dilemmas and challenges and failures and misery -- of seeing all of that suddenly empty of meaning. For most of us, that discovery of emptiness was accompanied not so much by a sense of loss, though that can be a part of it, but rather more as a sense of freedom. And because it feels lightening to move beyond those structures of life, we might not have even paused to consider the discovery of emptiness where we'd previously found meaning and purpose and definition to be a loss of any sort. Giving that up felt good.

Similarly, many of us who've been through depression can remember a time when we realized that the downwardly-spiraling thoughts that were carrying all our life into the depths of misery were, themselves, empty. We remember realizing, "oh...those are just thoughts; that is the way my mind behaves in these circumstances." And rather than feeling that discovery of emptiness to be a loss, on the contrary, it felt like a glimmer of light in the darkness, like a place where we could stand while everything around us was unstable, like remembering in the middle of a horror movie, "oh...this is a movie."

* * *

So the experience of emptiness isn't always a bad thing; though experiencing it in connection with the loss of something we identified with, something we adored, something we depended on -- that experience of emptiness *does* feel like a wrenchingly bad thing.

When I've found myself in that kind of strange, uncomfortable, disquieted mind state, there are three basic ways that I've responded. Since it's an uncomfortable feeling, I've often sought to bring it to an end as fast as possible. One way is to instinctually return to the things that I'd valued previously. Reattach myself to what the momentary perception of emptiness has made seem hollow. I tried this approach the first time I experienced emptiness in connection with my believing and faithful worldview. And I repeated it again and again. But despite my efforts, I never quite forgot afterwards that I'd seen its emptiness. Another response I've tried was to instinctually turn away from what I'd seen as empty and replace it with something that seemed sturdier -- more solid and essential. From my spiritual life, I turned toward scientific materialism. Hard-headed facts that seemed much more trustworthy than my hollow religious beliefs. Seemed. But there came a day when I saw the emptiness of that, too -- when I saw the mind-contrivances that I was engaged in, that the science writers I followed were engaged in. And I saw that scientific materialism, too, was empty of something essential, of solid, irreducible bedrock. Which led me to a third way of responding to the perception of emptiness: rather than turning back to old attachments, and rather than turning toward new attachments, to turn instead toward the emptiness itself, and to allow my eyes to see emptiness in all things.

I had actually become aware of this potential response *long* before I ever attempted it. To my western-shaped mind, "turning toward emptiness" sounded frightfully like nihilism, frightfully like despair. And I wanted nothing more to do with those demons. But eventually I came to see that emptiness only looked like nihilism to an egoic mindshape. And so I ventured. But in the actual *doing* of turning toward emptiness, there was not the weight of judgment condemning existence as vacuous and void that I'd felt when I'd been nihilistic. Instead, there was a little hint of lightness. Of freedom.

But it was only freedom for so long as I was willing to allow the emptiness to be, while seeing all the forms that filled my sense perceptions and my mind.

* * *
bardo (bar-do) (noun)




  • (in Tibetan Buddhism) a state of existence between death and rebirth, varying in length according to a person's conduct in life and manner of, or age at, death.


  • an indeterminate, transitional state: wandering adrift in a bardo of intense negativity, blame, disappointment, criticism and denial.


Despite the sense of liberation, it isn't easy to stay in that equipoise, seeing the Heart Sutra's form and emptiness equally in all of experience. It's like standing on a tightrope while the wind gusts at me and the sound of the neighborhood ice cream truck tantalizes off in the distance. I've given up that perception almost as many times as it has arisen in my life.



But I've come to consider those moments when I am able to stay with that sense of emptiness as powerful times. When I'm in -- and allow myself to remain in -- that sense of emptiness that sometimes arises, I find myself comfortably recogizing the death of one life, of a worldview that once was "me." But I've also come to recognize that I'll eventually enter another life. I know that I'll soon re-enter experiences that will seem solid and tangible and essential from which I'll build a new life, a new worldview. And even knowing that that will eventually happen, I can still stay in equipoise in the experience of emptiness while it is what is.



But after that's happened again and again, I've discovered that I enter the next life a little bit aware that it is both form-and-emptiness, emptiness-and-form. And I think maybe that background awareness lets me be a little bit less rigid in my thought patterns, in my certainty, in my waking dreams. I'm more aware of my own mind's contrivances, of my mind's own role in creating my experience of reality.



* * *



The discovery of emptiness is a kind of falling in love. There is a
vertigo in it: we step off the cliff of what we know and are certain
about. -- Zen Abbot John Tarrant


These insights aren't unique to Buddhism, though I found them while looking through the lens of Buddhist teachings and practices. After I found them there, I went looking for them elsewhere. I was surprised to find them in the teachings of the Catholic saints, Theresa of Avila and John of the Cross. I found them in the teachings of the Advaita school of Hinduism. I found them in the Sufi poetry of Hafiz and Rumi. And I even found them in the temple endowment ceremony of Mormonism.



* * *



In Mormon terms, the gist of it is this: the perception of emptiness can be profoundly disturbing to a mind that has become accustomed to attachment to a specific form of thought -- especially to a particular belief set that promises comfort and success by following a prescribed set of actions; but the very same emptiness is profoundly empowering when we do not resist it, because the very emptiness ("...there is space here...") empowers us to create meaning from the actions of our consciousness in the context of the experiences we have. It takes the endowment's "yonder is matter unorganized" and it brings the truth of that statement to the center of the heart of each individual.



Where there is emptiness, there is potential.



The experience of emptiness brings to our conscious minds the choice that we previously never knew that we had.

Saturday, April 24, 2010

Nothing holy; all emptiness

Have you ever had the sense when you walked through a doorway, or the space between two trees or, really, anywhere, when you just noticed that your body – maybe your eyes or your brain – were not exactly yours, but rather were a particular concentration of consciousness occupying a particular place, and as you walked through that place, that very location in the universe became more aware because it was occupied by the arrangement of matter comprising your mind/body, but really, you weren't different in kind from the molecules of air that your face nudged out of the way, but the fabric of the space that held first those oxygen molecules and nitrogen atoms and the rest also later held, just as gently, the protein chains and water-based solutions and calcium deposits of a conscious body/mind, just as gently letting go of them as they moved on, but before they did, for just that tiny moment, that place in space/time was aware of itself?

* * *

Buddhism is profoundly confusing.

Bodhidharma declared to Emperor Wu: “Nothing holy; all emptiness.”

The Diamond Sutra makes the same point, a bit more elaborately: “Form is emptiness; emptiness is form. Form is not other than emptiness; emptiness is not other than form.”

When I first encountered each of these teachings a few years ago, I found them quite off-putting. How could emptiness be anything other than nihilism, a demon that had nearly done me in in prior years? I chewed on that for a time, and then I set it aside, unable to make heads or tails of it.

* * *

My next encounter with emptiness occurred during my first retreat. I was on a four-day yoga-
and-meditation retreat at Shambhala Mountain Center, a place in the Colorado high country run by Tibetan Buddhists in the Kagyü lineage of Chogyam Trungpa Rinpoche. I wrote about it here. My memory now is that I found the sitting parts of the retreat very hard, with back pain and discomfort and a sense that I really didn’t know what I was doing. I recall thoroughly enjoying the yoga practice (an easy comfort zone for me then), but trying out the meditation nonetheless.

About halfway through the retreat, the meditation teacher, David Nichtern, taught us the Three Characteristics – the three basic insights that arise at the beginning of the meditation path – and not coincidentally, the three experiential doors that stand at the end of the meditation path, as well. Those three characteristics, he said, were suffering, impermanence, and no-self or, he said, “emptiness.” By then, I’d come to understand something about suffering, and my back pain during that retreat was more than enough reminder of it. I thought that I got the notion of impermanence reasonably well. But emptiness/no-self – that triggered my by-then usual aversive response: “Don’t understand it; don’t get it; I’m doing ok; things are getting better; best not to think about it.”

Yep. I’d replaced the nihilism demon with an aversion-to-nihilism demon.

In hindsight, I think that I wasn’t really whole-hearted on that retreat. There were half a dozen reasons for it, but that’s the gist of it.

The meditation hall at Shambhala is situated in a small valley between a range of high foothills that are, themselves, nestled up against the east side of the Rocky Mountains. As the place is run by Tibetan Buddhists, there are strings of sunburnt and faded, tattered prayer flags scattered about, wherever a breeze might re-embody their devotion. In particular, I could see in the distance, prayer flags stretching up the slopes of the nearest high crag. In a kind of escape, I rose early one morning and climbed through the ebbing darkness. I worked my way up to the base of the crag, first along a roadcut, then along a plainly-evident trail. This was classic, dry Ponderosa montane environment.

From the top of the low mountain, the rocky crag rose another 75 feet or so. I scrambled up, found a level spot on the east side of the crag, just below the top, and sat.

I’ve never been to the top of a Colorado mountain when there wasn’t a wind blowing. On this one, it was mild – a steady pre-dawn breeze. I looked east. I was high enough that I could see all the way out of the mountains to the high plains beyond Fort Collins – a long, flat horizon. The sky glowing.

Six or seven birds sailed through the space above the valley, suddenly turning that space, which I’d been looking through, but never seeing, into a specific place of dimensions, the birds, a passing thought carried on the breeze, disappearing behind the crag.

The breeze pressed against me, around me. I breathed, and it entered. Exhaled.

* * *

I wrote some time ago about my experience with lovingkindness meditation. I worked out my own formulation of the prayer: May I be healthy, may I be happy, may I be peaceful, may I be clear.

Clear is the word I use to remind me of the transparency I felt sitting on that crag – clear – the light of the rising sun shining through the transparent sky, through my body/mind. The breeze pressing on its way past me, through me. Not capturing, not converting, not insisting, not nothing, but no-thing.

* * *

Sitting on the crag was free and freeing. Liberation is nothing more than the simplest clarity.

Form and emptiness.

* * *

The yoga students start on their backs, shoulderblades drawn together and shifted down the spine toward the hips, holding firmly the space between their hearts and the earth. I call them through a slow and easy first series of sun salutations. We begin the second series with Warrior 2.

“Allow your vision to focus on the tip of the middle finger of your right hand.”

“Shift your vision from that fingertip to your right eye in the mirror in front of you.”

“Now back to the fingertip.”

“Holding that focal distance, allow your right hand to drop, and see the space your hand no longer occupies. See the space. Not through it, but just it.”

* * *

Years and years ago, I and a colleague walked through Central Park one morning. We were talking about consciousness, and as we walked we stepped onto some of the rubbed-smooth granite patches exposed above the lawns there. He remarked, “I think the rocks have an awareness of their own.” I disagreed, convinced that if it were so, it was a kind of consciousness inaccessible to me.

But now? As for me, I’m beginning to think that everywhere and everywhen is aware, just as aware as "my" body is. I just tend not to notice awareness much, except when it manifests in a form that interacts more or less readily with us. Rocks? Aware? Sure. Awareness is just aware. If it's awareness of a rock, it doesn't have much to communicate with, doesn't have much to remember with. What makes humans tick? We're evolutionarily complicated assemblages that have developed memories and communications and elaborate sensory devices. And we're aware. Not two different things, because everything has an inside to it – the aware part – and an outside to it – the part we can (in part) perceive through senses.

* * *

We do not walk upon the ground. We are as much the fabric of existence as the ground we walk upon, as the thoughts that fly through our minds like birds carried on the wind, as the water crashing down mountain riverbeds as spring run off, as the air we breathe, as the space through which we move.

Awareness, this exact instant, is all in all in all.

Sunday, May 10, 2009

An evening meditation, mental illness, and emptiness

A recent Friday was busier than most days are for me. On Thursday, we’d had a heavy snowstorm that carried into the evening before tapering off. Since morning commutes are often ugly in the snow, I decided to forego a morning meditation and was on the road before six. Once I got to work, I managed a variety of matters, including a court hearing in the afternoon. I got in a yoga practice with a favorite teacher before getting home in the evening in time to run errands of various kinds. It wasn't until about 9:00 p.m. that I finally got around to meditation.

I sat peacefully for twenty minutes, watching breath, seeing thoughts, watching breath, seeing thoughts, focusing concentration, seeing thoughts, watching breath. The thoughts were random conjurations of links between memories and ideas and fantasies. As often happens, the meditative state crept in quietly, so quietly that I didn’t even notice it until I was drawn out of it by our dog coming to see if this oddly-timed sitting practice might yield food. Seeing no likely snack options, he went off to prod more likely providers. And I was left to finish my sitting slightly more aware of my own mind than I had been before the dog showed up. An evening meditation practice tends to end on an open, quiet note, while morning meditations end by launching me into my day.

So I went up to the bedroom and found my wife watching the second hour of A Beautiful Mind.

She asked whether I was willing to watch with her. If I’d not wanted to join her, she’d have ceded the bedroom to me and gone to watch the rest of the movie elsewhere. But there was more than a degree of courtesy in her question.

You see, mental illness runs in my blood. My sister was institutionalized for a time. She was, so far as I can tell, schizophrenic, though the shrinks she saw didn’t diagnose her that way. I think they hesitated in part because and she was, herself, a Ph.D. in clinical psych., and during the 1990s, a diagnosis of schizophrenia was a declaration of hopelessness for a debilitating, dimly understood, and largely untreatable condition. And that diagnosis didn’t really match Suzanne’s life. Did she hear voices of people who weren’t there? Yes. As she’d drive down the road, they’d scream in her ears to drive into the oncoming traffic on the other side of the road. But she also had an iron will. Did she show wild personality fluctuations, ranging from introspective and quiet to abrasive and antagonistic to unfocused and angry? Yes. But she also wrenched control of those personalities to impose on them her professional mask that allowed her to counsel and diagnose her own patients. And, as she acknowledged, sometimes it’s a bit easier to understand the mentally ill if you aren’t really mentally well yourself. So she Jekyll and Jekyll and Jekyll and Hyded her way through grad school in three years and into a professional counseling practice outside of Boston. Then, taking a break from practice, she spent several weeks in Utah, riding horses. One day she left to hike in a canyon, and didn’t return. Several days later, one of the several search parties found her cold body twisted and broken at the base of a cliff.

But it wasn’t only Suzanne who didn’t see only the things that were there.

* * *

I asked my wife whether the movie was past the scene where Nash is institutionalized, bound to a gurney, and overdosed on insulin to induce coma. She said, “yes,” so I figured I could deal with the rest ok. That had been the part of the movie that had made a mess of me when we saw it in the movie theater.

* * *

So the scene is Alicia, Nash’s wife, walking through the woods behind their house. She sees the door to an old standalone garage swinging open in the wind of a gathering storm. She goes to shut it, then glances inside. But instead of dusty old garage contents, she finds a paranoid’s collage of newspaper articles clipped and stuck to bulletin boards, bits and pieces underscored with markers, strings connecting one to another to another – an external representation of the bizarre, chaotic, pattern-making inside of a paranoid schizophrenic’s mind.

I see not only the movie’s story of Nash, and not only Alicia’s story-line realization that Nash is off his meds and can’t be trusted to bathe their infant daughter. What I see is the a visual depiction of a maelstrom of thoughts and ideas and concepts and assemblages that is troublingly like what I saw ten minutes earlier on the meditation cushion.

I turn away from the TV and see amassed in the bookcase at my bedside an ever-increasing collection of dharma books, philosophy, psychology. I see in my meditation practice, my yoga, a slightly frantic grasping. A bit of frightened aversion from depression. From the strange outside perspective of that moment, it all seems a little pathetic – even the grandiose notion that I’m pursuing enlightenment, rather than hiding in plain sight from imagined demons of the mind.

* * *

Me? Yeah. I’ve heard voices. Still do at different stages of meditation. Sometimes chaotic cacophony. Sometimes a thousand different voices all calling my name, some gently, some insistently, some annoyedly. You get the picture. But none really vindictive or destructive.

Seen things? Yeah, that too. Though what I’ve seen have been more like glimpses of a images from different dimensions. They didn’t strike me as “three-dimensional-world real.” More like overlays on 3-D real, making it simultaneously itself and something more. As real as anything I can sense is real. But not conventionally so.

Unconventionally? Yes, that.

* * *

So what about meditation?


Sometimes sitting on a block alone
is curiosity indulged.

Sometimes sitting on a block alone
is spacious awareness.

Sometimes sitting on a block alone
is superstitious genuflection.

Sometimes sitting on a block alone
is momentary rest.

Sometimes sitting on a block alone
is desperation embodied. And

Sometimes sitting on a block alone
is quietly empty.

* * *

What about seeing reality as it really is? I don’t know much about that.

* * *

In Arches National Park, there’s a gigantic boulder dramatically balanced on a thin fin of rock beneath it.


I remember the day it dawned on me that Balanced Rock was simply a result of largely disinterested mechanical processes that sometimes yield things that strike conscious minds as extraordinary.

* * *

One view of sanity is like that, too. An unexpectedly stable sort of awareness. One that lasts only as long as the substance undergirding it holds steady.

But that’s a bit too glib, too reductionist, too outside. Sanity is indeed a balance, and a precarious one, at that. But it’s one that can also shift, and jump, and dance from one stem of rock to another.

And sometimes to the ground.

* * *

As Neal Stephenson wrote in a recent novel, human minds are not only perceivers of sensory information, we’re nets that separate out some of the sensory input, and we’re lenses that concentrate it, and we’re communicants who distribute it. Awareness and community shape a cosmos awash in random data into form and order and beauty and balance.

I started meditating with the hope that I’d gain some clarity – that I’d better distinguish the real from the unreal. But instead of more certainty of the real, what I can lay claim to is seeing more clearly what there is to see from the inside of whatever it is that I’m inside of.

Is that the ground?